Monday, January 31, 2011

Justin Bieber Addresses Dangers Of Texting And Driving On 'Extreme Makeover'

Bieber will appear on Sunday's episode with the Brown family of Wellman, Texas.
By Jocelyn Vena


Justin Bieber
Photo: Chris McKay/ Getty Images

Justin Bieber will make a surprise appearance on the feel-good ABC show "Extreme Makeover: Home Edition" on Sunday. In the episode, the singer meets the Brown family of Wellman, Texas, who are helping raise awareness about the dangers of texting and driving after their eldest daughter Alex was affected by it.

The episode was shot back in November, according to AceShowbiz.com, and in it, Bieber not only pledges to give back to the cause, but also makes daughter Katrina Brown and her friends' day with some one-on-one time.

"So I'm really glad you guys can come. Every night we have a banner that goes up and it says 'don't text and drive' so every night all these kids see it so it definitely means a lot to me as well," he told the family. "We're gonna give $1 from every ticket sold to your cause. I always do this sound-check party and I wanted to invite you guys to come and hang out."

"I did not know what to do," Katrina admits in the preview clip for the two-hour episode, which also features Emma Roberts and NASCAR drivers Carl Edwards and Greg Biffle. "I did not know how to react."

Bieber also opens up a bit more about joining the cause. "It's been a big part of my life to influence others not to text and drive," he explained. "And every night when I perform, I have a video that comes up and it says 'don't text and drive' and it's me driving. It's just really important to me."

The encounter will also reportedly be featured in Bieber's upcoming 3-D flick, "Never Say Never." In a trailer released earlier this month, Bieber's manager, Scooter Braun, opened up about how lucky he feels. "Me and the guy from 'Extreme Home Makeover' have the best jobs in the world," Braun explains in the new clip. "It's actually the most gratifying thing about the job. Little things go a very long way. You get paid to just make other people happy."

Bieber isn't the only pop star who works with the cause. The Jonas Brothers are also avid spokesmen for Allstate's "X the Text" campaign. "We're a part of the X the Text campaign with our sponsor Allstate, which is an amazing thing," Kevin Jonas told MTV News back in August. "So many teen drivers and drivers out there have accidents texting while driving, and it's such a [great] thing to bring awareness to this."

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Photos | Alicia Keys Brings Jay-Z, Beyonce To Her New York Show

Alicia Keys Brings Jay-Z, Beyonce To Her New York Show

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Week 5, Part 2

The 11 remaining women travel to Las Vegas.

Source: http://www.ivillage.com/week-5-part-2-2/1-h-318693

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Natalie Portman Says She's 'Grateful' For SAG As She Wins Best Actress

'Black Swan' star praises Screen Actors Guild in acceptance speech.
By Ryan J. Downey


Natalie Portman wins Best Actress
Photo: Kevin Winter/ Getty Images

Natalie Portman managed to work both an expletive and a "Professional" comment into her speech as she accepted her latest award for "Black Swan."

"I've been working since I was 11 years old, and SAG has taken care of me," Portman said Sunday (January 30) as she accepted the statue for best female lead at the 17th annual Screen Actors Guild Awards at Shrine Auditorium. The Israeli-born Portman's first major role was opposite Jean Reno in director Luc Besson's "The Professional."

"They made sure that I wasn't working too long and made sure that I got my education while I was working. I'm so grateful to have this union protecting me every day," she said.

Portman thanked her castmates, director Darren Aronofsky ("who I love so much"), her ballet trainer and her parents, "who always taught me to work my hardest and never be an a--hole."

Before exiting the stage, the radiantly pregnant actress gave a shout-out to her fiancé, "Black Swan" choreographer Benjamin Millepied, with a demure smile.

Portman's win for the psycho-sexual drama follows her victory at the Golden Globes earlier this month. Portman is also nominated for best actress at the Academy Awards, set for February 27.

For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.

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Sunday, January 30, 2011

Photos | Drake, Nicki Minaj, Usher And More At Hot 97 2010 Summer Jam

Drake, Nicki Minaj, Usher And More At Hot 97 2010 Summer Jam

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Dimmu Borgir Release Live DVD; Plus Led Zeppelin, Brujeria, & More News That Rules, In Metal File

'It shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums,' guitarist says.
By Chris Harris


Dimmu Borgir's Silenoz
Photo: Nuclear Blast

On October 14, Dimmu Borgir — who just happen to be Demi Lovato's favorite black-metal band — will release a a three-disc DVD/CD set called "The Invaluable Darkness," the band's first visual offering since 2002's "World Misanthropy." Boasting live footage shot last year, during gigs in Norway, Germany and England, "The Invaluable Darkness" demonstrates the unbridled furor of seeing Dimmu live, guitarist Silenoz said.

"It shows the honest rawness and atmospheric darkness of our concerts," the Norwegian told Metal File last week, after dismissing recent online rumors that his band's next LP would be coming out through Roadrunner Records. "Basically, it shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums. It's just a different side to the band, basically."

Dimmu Borgir began thinking about "The Invaluable Darkness" two years ago, but didn't start capturing footage until last summer, Silenoz explained, adding that the band will use its current stint on the Blackest of the Black Tour — which got underway Thursday night in Miami Beach, Florida, and also features the tour's founder, Danzig, along with Moonspell, Winds of Plague and Skeletonwitch — to promote the DVD. Dimmu Borgir will not, however, use the tour to write material for their next LP.

"It's our first time on Blackest, but Glenn [Danzig] had wanted to bring us out before [on the tour], but we weren't available until now," Silenoz said. "We've done Ozzfest before, but we're looking forward to this tour more. We did the main stage on Ozzfest, playing in f--_ing broad daylight. This tour will let us play in bigger places, but at the same time showcase more of what the band's about, visually. We are going to concentrate on the tour for now. Some years ago, we tried putting [material] together on the road, but once we got home, we listened back to it, and were like, 'What the f--- is this?' So, we just scrapped it all. We find it's so much better to totally focus on one thing at a time, and then, when that's over, you move on to the next [thing]. We don't really feel like we need to rush things, anyway, so we'll just take our time, and it's going to be what it's going to be."

Dimmu Borgir hope to reconvene in late December to begin writing the follow-up to 2007's diabolically titled In Sorte Diaboli. "We have some ideas floating around already, but we haven't arranged any material yet," he said. "We'll start doing that once the touring for this DVD is over." The band's frontman, Shagrath, is also due to marry soon — he's engaged to actor Nicolas Cage's ex-girlfriend, Christina Fulton, so that may have an effect on when Dimmu finish their next album, which Silenoz said could be out this coming spring.

"I'm sure [Shagrath] won't let anything get in the way [of] the band — I think, I hope," the guitarist said. "We don't need a Yoko [Ono] situation."

While Dimmu have been at it going on 15 years now, Silenoz said he doesn't think their forthcoming material will be much of a departure from their previous black-metal offerings.

"And we have always been about more than just that term, 'black metal,' " he said. "Luckily for us, the older you get, the less concerned you get with the categorization and putting labels on your music. Things start getting more and more limitless with us, and we know that we operate within certain frames. But we try not to analyze things too much, because it's just going to be working against you in the end. When we write new stuff, we don't think about what we should write — we just get together, and put material together, and if we like it, we keep it. That's the formula, if we even have a formula."

Dimmu Borgir are definitely getting older — guitarist Galder will be missing Blackest because of a recent addition to his family, and Susperia's Cyrus will be filling in for him; while former Vader drummer Dariusz Brzozowski takes over for Hellhammer, who had to leave the band in 2007 after sustaining a neck injury that's now limited the use of his right arm. As Dimmu has gotten on in years, Silenoz admits they have failed to keep pace with some of the more extreme black-metal acts that have followed in their wake.

"We helped open doors for the more extreme bands out there," Silenoz said. "I'm sure we helped open doors for bands like Watain, [insomuch as] people that had maybe started listening to us first then went on to the more extreme stuff. Let's face it — we're not as extreme as Watain and other bands like that, but we're fine with that."

The Blackest of the Black Tour continues through November 10 in San Francisco.

The rest of the week's metal news:

Dimmu's tourmates on Blackest, Winds of Plague, have announced ex-Azusa drummer Art Cruz has joined their ranks — he replaced Jeff Tenney. According to the band's blog, "Art has already added a new spark to the band and has provided us with a solid backbone that will allow us to continue our rampage stronger than ever." ...

What the world really needs is another Led Zeppelin box set, so, on November 4, Rhino Records will issue the Led Zeppelin Definitive Collection Mini LP Replica CD box set. For just $200, you'll get 1969's Led Zeppelin, 1969's Led Zeppelin II, 1970's Led Zeppelin III, 1971's Led Zeppelin IV, 1973's Houses of the Holy, 1975's Physical Graffiti, 1976's Presence, 1976's The Song Remains the Same, 1979's In Through the Out Door and 1982's Coda, as mini-LP replicas, with artwork from the original U.K. LP sleeves. Now, you know what you can get your dad for Christmas. ...

Former Killswitch Engage frontman Jesse Leach and current Killswitch Engage guitarist Adam Dutkiewicz have teamed up for a new project they're calling Times of Grace, and they've already started working on material for their debut album. According to Leach, "We have two songs to go and we will be finished with all of the vocals. Adam has taken lead vocals in three songs as of yet and he is doing a great job. We also worked on a track yesterday that is so epic — we trade vocals and do two different melodies at the same time. This album went from a melodic metal album to an epic mix of metal/rock/pop/shoegaze and punk. So all of your metal expectations will be incorrect — we are pushing genre boundaries." To quote "Meet the Parents," we'll look forward to that, Greg. ...

The Funeral Pyre and Early Graves will be hitting the road together next month, starting November 7 in South Lake Tahoe, California. Dates are booked through November 21 in Hollywood. ...

The latest incarnation of Brujeria, which features Carcass frontman Jeff Walker and Napalm Death's Shane Embury, have lined up several U.S. dates for this winter. The band will begin its brief trek November 28 in Denver, and wrap things up in Dallas on December 7. ... Demiricous will be touring with the Gates of Slumber starting November 9 in Denver, for a jaunt that's scheduled to run through December 6 in Indianapolis. ...

Nearly three years after Roadrunner Records' Roadrunner United concert, which took over the Nokia Theater in New York's Times Square, the label is now releasing footage from that special night as "Roadrunner United: The Concert." The DVD, which hits stores December 9, will boast two discs and 24 live tracks, including Life of Agony's "River Runs Red," King Diamond's "Abigail," Killswitch's "My Last Serenade," Type O Negative's "Black No. 1" and Sepultura's "Refuse/Resist." ...

According to Blabbermouth, Verrot, bassist for Swedish black-metal outfit Elimi, committed suicide on October 3. In a statement, the band said, "Verrot was a very good friend, brother, an excellent bass player/musician and an important part of Elimi; we respect his decision and hope he'll find his way with the dark gods of Chaos. Let your black flame be a part of what brings forth the day of wrath."

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Photos | 2010 American Music Awards Presenter, Nominee And Performer Highlights

2010 American Music Awards Presenter, Nominee And Performer Highlights

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Friday, January 28, 2011

Deadmau5 Brings Dance Music To The 'Masses,' Wolfgang Gartner Says

'He has a major role in the younger generation to this music,' producer/DJ tells MTV News of his collaborator.
By Adam Stewart


deadmau5
Photo: Charley Gallay/ Getty Images

It's no secret that 2010 was a pivotal year for electronic dance music here in the States. With deadmau5 and Swedish House Mafia becoming household names, the genre's momentum shows no signs of slowing down. Using a conduit of collaboration, artists such as deadmau5 (a.k.a. Joel Zimmerman) have paired up with various underground acts to further the rapid expansion of the genre.

Perhaps one of the most notable movers and shakers of the year is now-Grammy-Award-nominated producer and DJ Wolfgang Gartner, who recently sat down to chat with MTV News about deadmau5 and dance music's rise to the top.

"He has a major role in the younger generation to this music," Gartner says, "but there have been certain artists that have been instrumental in helping it cross over and reach the mainstream — which I think is a good thing. I think rap artists using dance beats is a great thing. I think it just brings more people towards this music that we all love."

Thanks to several key moments, such as deadmau5 taking the helm as house DJ (well, technically "House Artist") for the 2010 VMAs, dance music has been thrown into the forefront of America's youth, a key demographic for any genre.

"Everybody knows who he is now and he's kind of exposing the masses to dance music. These little five-, six- and seven-year-old kids latch on to this 'mau5head' logo — they get into the music and he's bringing this tiny young generation into this music that probably wouldn't be exposed to it."

Gartner certainly doesn't mind the exposure either. Unless you were living under a rock for the past six months, you probably heard one of this past summer's hottest anthems, "Animal Rights," a collaborative effort brought forth by deadmau5 and Gartner.

"It was interesting because I kind of had a preconceived notion about how he would be to work [with]," said Gartner. "I think our sounds are really similar, so I figured he would work in a similar way to me, but the way that he writes music is actually completely different to me. But he achieves kind of the same sound through a completely different process."

Recorded in deadmau5's favorite Los Angeles studio — that would be rocker Tommy Lee's House — "Animal Rights" is a thumping progressive house anthem that melds Wolfgang's unmistakable harmonics and funk riffs with the driving bass line and wobbly synths that make deadmau5 one of the unique forces in the dance music world.

"[Deadmau5] writes these rich complex chord progressions and he does it by drawing these little bars on a grid, which is just amazing that you can do that and get that result," Gartner goes on to say. "It just proves you don't have to be able to play keyboards to write amazing music."

The two sound pioneers never cease to stop pushing the limits on what they are able to produce. Using drastically difference production approaches, deadmau5 and Gartner had the ability to play off each other's strengths while recording the track.

"I'd say the biggest thing is that I play everything in on a keyboard, like even my drums," says Gartner. "I play everything in live and he draws it in with notes on a mouse, which blew me away because his music is very musical."

What do you think 2011 will hold for deadmau5 and Gartner? Let us know in the comments below!

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Beyoncé - Diva

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Photos | Family & Friends Say Goodbye To Michael Jackson

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Thursday, January 27, 2011

Beyoncé - If I Were A Boy

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Dianna Agron explains why Kristin Bell is one of the nicest people in showbiz

Dianna Agron

Dianna Agron is known for playing feisty Quinn Fabray on Glee.

But before she hit the big time, the actress had several cameo roles in other US sitcoms.

But who was her favourite co-star?

Source: http://showbiz.sky.com/dianna-why-i-love-kristen

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Grammy Hits And Misses: Ke$ha Shut Out, Bruno Mars Cleans Up

Big Boi and Alicia Keys are also left out, but Florence and the Machine and Ray LaMontagne get some much-deserved love.
By Gil Kaufman


Ke$ha
Photo: Kristian Dowling / PictureGroup

What would the annual Grammy nominations announcement be without the next-day quarterbacking and bellyaching about who got dissed and who got just the right amount of Academy love?

While this year's batch of contenders is mostly devoid of the WTF factor of past nomination seasons, when veteran acts such as Steely Dan, Robert Plant and Herbie Hancock sucked most of the air out of the room, there were still plenty of surprises, omissions and flat-out questionable choices to go around.

The one most people were buzzing about Thursday (December 2) was the blank delivered to Ke$ha, who earned a grand total of zero nominations for her debut, Animal, despite launching several hits and earning a major spot in the pop-culture universe in 2010. The snub was even more noticeable because one of her producers, Dr. Luke, was nominated in the producer category and four of the eight songs that earned him that spot were from Ke$ha's debut.

We spoke to Entertainment Weekly music critic Leah Greenblatt about that oversight and many others in this year's nominations. She said the Ke$ha situation was surprising, especially considering the love that the similarly poptastic Katy Perry got for Teenage Dream, which has sold well but, like Animal, was not critically adored upon release.

"But I think it's really cool to see Florence [and the Machine] get that nomination [for Best New Artist], and I think it's awesome that Esperanza Spalding also got nominated [in that category]," she said of the little-known jazz singer who likely sent many people to Google on Wednesday night.

Greenblatt was also excited that raspy-voiced singer Ray LaMontagne snagged a spot in the Song of the Year category for "Beg Steal or Borrow" and another in the Best Contemporary Folk Album category.

"As fogie-ish as the Grammys are, it seems like this year they went more towards a Teen Choice Awards direction with a noticeably younger group of nominees," she said, wondering if it was a conscious decision to try and make the show hipper or if it's a signal of the changing demographic of Grammy voters. "And I think Bruno Mars deserves all of his nominations," she added about the singer/songwriter/producer who scored seven nods. "He only had one hit, but he really shaped popular music this year with the songs he did for Travie McCoy, B.o.B and Cee Lo. He brought so much musicality to R&B and pop. He's making music and playing instruments and he's insanely melodic. He's not just jacking samples."

As for how Eminem ended up with the most nominations at 10, she chalked it up to the "Sandra Bullock factor," speculating that Grammy voters might have just thought it was Marshall Mathers' time to shine again. "He's not universally liked for his sparkling personality, but it seems like it's his time," she said of the rapper, who had the year's best-selling album with Recovery and stormed back with some of the most melodic, accessible music of his decade-plus career. "It almost seemed like he was deemed safe enough for the Grammys this year ... and the album is so incredibly commercial. It's as safe as Eminem gets."

As for who got left off, Greenblatt said she was surprised at the lack of "American Idol" names on the list, with season-eight winner Kris Allen getting shut out and that season's runner-up, Adam Lambert, only getting a bid for Best Male Pop Vocal Performance for "Whataya Want From Me."

And for a song that was one of the best-selling singles of the year, it was surprising that Train's "Hey, Soul Sister," Grammy bait if there ever was, managed only one nod for Best Pop Performance by a Duo or Group With Vocals — for a live version of the tune.

There were other glaring omissions to be sure: no love for rappers Rick Ross and Big Boi, just a pair of nominations for last year's big winners Kings of Leon, a shutout for Lady Gaga's smash "Bad Romance" in the Record and Song of the Year categories (it did show up in Best Female Pop Vocal Performance) as well as for B.o.B and Hayley Williams' mega-hit "Airplanes," which scored only a Best Pop Collaboration With Vocals acknowledgment.

Greenblatt was also disappointed that Alicia Keys' The Element of Freedom got blanked, despite the handfuls of Grammys the singer has taken home in the past. And considering its major impact on the pop-culture landscape, "Glee" only got noticed in the Best Compilation Soundtrack Album for Motion Picture, Television or Other Visual Media category and Best Pop Performance by a Duo or Group With Vocals for "Don't Stop Believin'," which Greenblatt said may have had something to do with the fact that the songs on the show are covers and not original compositions.

In the end, though, she said this year's Grammys were mostly devoid of the giant head-smacking omissions and inclusions of past years and with the strong recognition to a new generation of singers, another potential sign that the show might be inching in a new direction.

Which artists or albums do you think got too much (or not enough love) this year? Share your thoughts in the comments!

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Source: http://www.mtv.com/news/articles/1653445/grammy-hits-misses-keha-shut-out-bruno-mars-cleans-up.jhtml

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Wednesday, January 26, 2011

Usher's 'OMG' ' 'Kills It Every Night,' Says Tourmate Miguel

'There's so much anticipation for this song when he comes out,' Miguel says of MTV News' Song of the Year.
By Vaughn Trudeau Schoonmaker


Usher
Photo: Jason Merritt/ Getty Images

MTV News just named Usher's "OMG" the #1 song of 2010, and clearly we're not alone in our admiration. But what is it like to watch it performed night after night? Miguel, who is currently opening for Usher's OMG Tour gave us a little insight.

"There's so much anticipation for this song when he comes out, and he really gives the fans what they want," Miguel laughs. "He kills it every night."

Before his latest string of hits, Usher was out of the spotlight for a period of time in 2009, when he was dealing with personal issues including a divorce. Miguel finds his 2010 comeback inspiring.

"There was a period of time, when a lot of people didn't believe in Usher and thought he was finished ... just kind of going to ride off into the sunset and disappear," the up-and-coming singer noted.

With the release of Raymond vs. Raymond and its extended, companion EP, Versus, in 2010, Usher proved the skeptics wrong with chart-toppers including "OMG" and "DJ Got Us Fallin' In Love."

"He's such a tremendous example of perseverance and determination," Miguel beamed. "I was there throughout this album, so I've seen the adversity that he's had to overcome perception-wise."

MTV News' Top 25 Songs of 2010 have all been counted down. But the fun isn't over yet: We still want to see your picks in the comments below!

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Photos | How Close Is 'Britney/Brittany' Glee Episode To Reality?

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Photos | What Beyonce Might Be Like At Home

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Tuesday, January 25, 2011

Photos | 'Forbes' Top Earning Celebrities Of 2010

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Justin Bieber Hospitalized After Filming 'CSI' Cameo

'He had a mild allergic reaction while they were wrapping up last night on the set of 'CSI,' ' Bieber's rep tells E!
By Kara Warner


Justin Bieber on the set of "CSI"
Photo: CBS

Justin Bieber is really committing to his acting — so much so that it landed him in the hospital Wednesday.

According to E! Online, the 16-year-old superstar developed breathing trouble while filming scenes for his upcoming appearance on "CSI."

But never fear, Beliebers: The Best New Artist Grammy nominee is just fine. His breathing trouble was apparently caused by an allergic reaction, for which Bieber received insta-treatment at Providence Saint Joseph Medical Center in Burbank, California, on Wednesday evening.

"He is fine," Bieber's rep told E! on Thursday (January 13). "He had a mild allergic reaction while they were wrapping up last night on the set of 'CSI.' His doctor met him at the hospital to make sure everything was OK. He was released within the hour after his doctor declared him fine. He is back on set working today. All is well."

Judging by Bieber's tweets last night — in which he made no mention of a hospital visit and instead posed a series of random questions to fans — he wasn't too bothered by his earlier troubles.

"If you could meet anyone in the world who would it be?" he tweeted. Followed by: "Ok ok...if you could be the greatest athlete or the greatest entertainer which would u be? tough one." Then: "And the toughest question of the night....fresh sheets or fresh socks??? #epicquestion."

On Thursday, he tweeted this confident missive about being back on "CSI": "Ok last day on the set as a #badass. Gonna get deadly today."

Apparently all is indeed well with the Biebs. Phew.

What are you expecting from Bieber's return to "CSI"? Let us know in the comments!

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Photos | Justin Bieber's Lost Magazine Covers

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Sunday, January 23, 2011

Lady Gaga Rep Debunks Leaked Song Rumor

'The reported leak is not a Gaga record,' rep tells MTV News about 'Animal.'
By Jocelyn Vena


Lady Gaga
Photo: Jason Merritt/Getty Images

When a new tune called "Animal" hit the Internet on Friday (January 14), many fans believed that the song was a Lady Gaga leak. Its thumping beat, dance-floor-inspired melody and lyrics about sex could easily be features of a Gaga track. And indeed, the website hosting the alleged leak labeled it a Lady Gaga song.

But fans should know that "Animal" is in fact not a Lady Gaga song. "The reported leak is not a Gaga record," a rep for the singer told MTV News.

On the leaked track, a woman who sounds vaguely like the pop star sings, "I can see the way that you're looking at me/ Like you're hungry and I'm the only thing that you see/ Can't tame you from the way you're watching me/ Baby I'll keep you up all night/ Gonna tie you up/ I'll hit you right/ Animal, animal."

But new Gaga music is on the horizon. Born This Way is set for release on May 23, and Gaga will drop the first single from the album on February 13, the same day she is slated to perform at the Grammy Awards.

Last month Gaga revealed that she would be dropping her hotly anticipated single in February, and she let her little monsters know how excited she is to share the song with them. "Thank you for all of your support and I cannot wait to play you Born This Way. It is killing me," she said, adding that it will be "the greatest album of this decade. ... I promise you, I'll never let you down. And not for nothing: The album's finished and it's f---ing really good."

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Source: http://www.mtv.com/news/articles/1655950/lady-gaga-rep-debunks-leaked-song-rumor.jhtml

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Black Swan Ballet

Black Swan

What's all the fuss about Black Swan?

Last night, Sky Showbiz went to find out.

But before enjoying the film, we were treated to a makeover by MAC and a special ballet lesson (suitable for beginners, thankfully).

Source: http://showbiz.sky.com/black-swan-showbiz-style

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Nicki Minaj heads to Studio Valbonne after getting kicked out her London hotel?

[Images: Mr Paparazzi/Big Pictures Words: Laura Perks]

Looks like the Dorchester hotel followed through with their threat to kick Nicki Minaj off their premises after the singer?s fans became too much for them to handle.

Apparently they made their decision to ask the singer to go elsewhere after a couple of her fans ? who?d already been screaming loudly outside the hotel for a few days ? got into a fight and an ambulance had to be called.

As you can imagine Minaj - who?s now moved to another hotel ? wasn?t best impressed. On Twitter she said:

'Long day of press only to find out we've officially been kicked out the hotel! Lmaoooooooo?

After the upheaval Nicki gathered her stuff stuck on a frock and a wig then headed to her album launch party at Studio Valbonne, where we spotted her?

FIND US ON >> Facebook... Bebo... MySpace... Twitter...

Source: http://www.mrpaparazzi.com//blog/index.aspx?postID=13896

Saira Mohan Salma Hayek Samaire Armstrong Samantha Mathis

Lady Gaga Director Loves His Short Film

Mariano Vivanco says, 'It's one of my favorite films I've done.'
By Jocelyn Vena


Lady Gaga
Photo: Frederick M. Brown/ Getty Images

Mere hours after completing the edit for the Lady Gaga/Mugler Born This Way collaboration that debuted in full Thursday (January 20), the short film's director, fashion photographer Mariano Vivanco, spoke to MTV News about the film, which not only debuts Nicola Formichetti as the line's creative director, but also gives fans a taste of a fresh Gaga song, remixed especially for Mugler.

The finished version of the track will appear on Gaga's album, to be released in May. Vivanco explained that what was supposed to be a small-scale Formichetti/Vivanco fashion video to display Mugler's new looks became a full-scale music video-like shoot once they knew Gaga would be involved — even if they didn't have the actual song until after they did most of the work.

"OK, I'll be 100 percent honest with you: We didn't get the music until after the video," Vivanco revealed. "Nicola hummed it to me and tried singing it to me. It was hilarious. And described it to me in a really articulate way. He said, 'It's techno meets Whitney Houston, in a really good way.'

"When he described that to me, I thought the best treatment to that would be to film it in slow motion 'cause I think house music with slow-moving images works," he continued. "I filmed a lot of scenes that were in my heart and in my mind."

It's hard to believe that Vivanco hadn't heard the song when he shot the eerie, moody scenes. But, he notes that a lot of the work to mesh the video and audio came in post-production.

After having a few hours to digest the dark, black-and-white art-house music video, Vivanco admitted that he loves the clip and said it was made only more special with the addition of the Gaga track.

"A short film for me is like a relationship: You have to love all the imperfections. Hell, I love the film. I think it's one of my favorite films I've done," he said. "Of course, words can't express the honor that [Gaga] would give us something so nice to work with. When I hear that song, and you hear it live like we did at the show, I'm like, 'She's done it again.' "

So, how does Gaga feel about it? "She called Nicola, and she said she loved the video," Vivanco said. "She's the queen of our times."

Have you seen the Born This Way short film? Give us your review in the comments!

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Source: http://www.mtv.com/news/articles/1656355/lady-gaga-director-loves-his-short-film.jhtml

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Saturday, January 22, 2011

Beyoncé - If I Were A Boy

If I Were A Boy

Source: http://www.mtv.com/overdrive/?artist=1236911&vid=288236

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Photos | MTV News' 2009 Women Of The Year: #6 Britney Spears

MTV News' 2009 Women Of The Year: #6 Britney Spears

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Deadmau5 Brings Dance Music To The 'Masses,' Wolfgang Gartner Says

'He has a major role in the younger generation to this music,' producer/DJ tells MTV News of his collaborator.
By Adam Stewart


deadmau5
Photo: Charley Gallay/ Getty Images

It's no secret that 2010 was a pivotal year for electronic dance music here in the States. With deadmau5 and Swedish House Mafia becoming household names, the genre's momentum shows no signs of slowing down. Using a conduit of collaboration, artists such as deadmau5 (a.k.a. Joel Zimmerman) have paired up with various underground acts to further the rapid expansion of the genre.

Perhaps one of the most notable movers and shakers of the year is now-Grammy-Award-nominated producer and DJ Wolfgang Gartner, who recently sat down to chat with MTV News about deadmau5 and dance music's rise to the top.

"He has a major role in the younger generation to this music," Gartner says, "but there have been certain artists that have been instrumental in helping it cross over and reach the mainstream — which I think is a good thing. I think rap artists using dance beats is a great thing. I think it just brings more people towards this music that we all love."

Thanks to several key moments, such as deadmau5 taking the helm as house DJ (well, technically "House Artist") for the 2010 VMAs, dance music has been thrown into the forefront of America's youth, a key demographic for any genre.

"Everybody knows who he is now and he's kind of exposing the masses to dance music. These little five-, six- and seven-year-old kids latch on to this 'mau5head' logo — they get into the music and he's bringing this tiny young generation into this music that probably wouldn't be exposed to it."

Gartner certainly doesn't mind the exposure either. Unless you were living under a rock for the past six months, you probably heard one of this past summer's hottest anthems, "Animal Rights," a collaborative effort brought forth by deadmau5 and Gartner.

"It was interesting because I kind of had a preconceived notion about how he would be to work [with]," said Gartner. "I think our sounds are really similar, so I figured he would work in a similar way to me, but the way that he writes music is actually completely different to me. But he achieves kind of the same sound through a completely different process."

Recorded in deadmau5's favorite Los Angeles studio — that would be rocker Tommy Lee's House — "Animal Rights" is a thumping progressive house anthem that melds Wolfgang's unmistakable harmonics and funk riffs with the driving bass line and wobbly synths that make deadmau5 one of the unique forces in the dance music world.

"[Deadmau5] writes these rich complex chord progressions and he does it by drawing these little bars on a grid, which is just amazing that you can do that and get that result," Gartner goes on to say. "It just proves you don't have to be able to play keyboards to write amazing music."

The two sound pioneers never cease to stop pushing the limits on what they are able to produce. Using drastically difference production approaches, deadmau5 and Gartner had the ability to play off each other's strengths while recording the track.

"I'd say the biggest thing is that I play everything in on a keyboard, like even my drums," says Gartner. "I play everything in live and he draws it in with notes on a mouse, which blew me away because his music is very musical."

What do you think 2011 will hold for deadmau5 and Gartner? Let us know in the comments below!

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Usher, Ke$ha And More Help Dance Music Go Pop In 2010

But is it here to stay? Our music-industry experts weigh in.
By Akshay Bhansali


Ke$ha
Photo: Andreas Rentz/ Getty Images

In 2010, pop princesses, R&B icons and chart-dominating newcomers all danced to the same beat. Not only did dance music go pop, but pop music caught the club-music bug.

Between Katy Perry's "Firework," Ke$ha's "We R Who We R," Rihanna's "Only Girl (In the World)," Enrique Iglesias' "I Like It," Usher's "DJ Got Us Fallin' in Love" and "OMG" and countless other singles, established artists definitely looked to dance beats for surefire hits. And two of this year's biggest success stories in music were Jason Derülo and Taio Cruz; could there be a soul left in this country who hasn't heard "Dynamite" or "In My Head"?

The love went both ways, with dance music's biggest stars finding mainstream success this year. Dance-music maestro deadmau5 took up house-artist duties at this year's VMAs, and Swedish House Mafia and Usher teamed up for a medley of their gems at the American Music Awards.

So how did this happen? We caught up with some music-industry experts to get their takes.

"You definitely saw tempos go up this year," Jon Caramanica of The New York Times told MTV News. "And I think what you had are a lot of producers who are really familiar with nightclub stuff. They are familiar with Europe. Things are happening on a more global scale now."

"I think everything from Europe, and sometimes even Asia, it comes to America, and we just adopt things a little bit slower," said Jared Eng of JustJared.com. "I think it was just a change. People like different types of music at different times. And dance was of this moment."

Noah Callahan of Complex magazine added: "I think 2010 saw the merging of the pop and dance genres. Pop artists realized that there were best practices that could be borrowed from dance music. And, ultimately, [all] pop music that has been made in the past 20 years had ended up being remixed for the club by dance artists. I think they basically just cut out the middleman and went straight there."

Dance music being introduced into the hip-hop and R&B realms was particularly notable this year.

"I think David Guetta kind of at the end of last year and the beginning of this year spearheaded it," said freelance writer Julianne Escobedo Shepherd. "He produced a lot of tracks. I think as trends go, people revile 'unst-unst.' But it's just coming back around. Big-room techno was a way for people to get decadent in a year that no one could get decadent."

"You have someone like will.i.am, who's like, 'Well, I spent all this time in Ibiza, and this is what they are doing,' and he wants to find a way to bring that into his music," Caramanica said of the Black Eyed Peas mastermind. "R&B especially became dance music. And especially with your Jason Derülos, Taio Cruzes. Guys like that would have literally been blocked at the border two years ago. That would not have made it through customs. And now all of a sudden they have #1 songs. I think will.i.am had a lot to do with that last year."

Elliott Wilson of RapRadar.com added: "It's actually even affected hip-hop. I was talking to Q-Tip, and his next record, I feel like that's gonna kind of go in that vein. I know that was also Jay-Z's thought process with Blueprint 3 at first, that he wanted to make a little bit more of a world music [vibe], a little more dancey. I think the kids today want to go to the clubs. They wanna have a good time. They wanna dance. So I think the artists of today are trying to kind of feed that audience."

"I think it's caught on this year because the people who've done it have been successful," offered Clover Hope of Vibe magazine. "Like 'OMG,' with usher, he didn't have success until he made a dance record. He had 'There Goes My Baby' and these really, like, adult-contemporary records that didn't really catch on. And then once you see that everybody is doing it and that people are liking it, they are like, 'OK, let me just try this out.' It's like Auto-Tune. Like, 'Let me see what I sound like on a record by David Guetta.' They end up liking it and doing more of it."

So does the club-music trend have staying power. According to our tastemakers, not so much.

"I do think it's a blip," Caramanica said. "I don't think that's gonna be something that lasts in America. I think this is gonna be a moment we'll all look back on and go, 'Wasn't that weird when Jason Derülo and Taio Cruz had #1 records?"

"At some point, these R&B artists will get kind of sick of it and be like, 'Let me go back to my soul background,' " Hope said. "When you actually have to say something, dance doesn't really lend itself to substance. And I think that R&B artists, they really want to talk about love and in a deep way, and to do that, you need to do, like, a soul or a traditional R&B record. I want to say that it's kind of a fad."

"I think music is very cyclical," Eng offered. "So I think dance music might be here for a little bit, but I'm sure it will phase out at some point."

Wilson called dance music "the sound of today. I think that people want more aggressive, faster beats, and I think that that probably has legs until at least next summer."

What do you think? Is dance music here to stay? Let us know in the comments!

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Source: http://www.mtv.com/news/articles/1655031/usher-keha-more-help-dance-music-go-pop-2010.jhtml

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Friday, January 21, 2011

Photos | MTV Buzzworthy Blog: Zombie Pop Stars

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Deadmau5 Brings Dance Music To The 'Masses,' Wolfgang Gartner Says

'He has a major role in the younger generation to this music,' producer/DJ tells MTV News of his collaborator.
By Adam Stewart


deadmau5
Photo: Charley Gallay/ Getty Images

It's no secret that 2010 was a pivotal year for electronic dance music here in the States. With deadmau5 and Swedish House Mafia becoming household names, the genre's momentum shows no signs of slowing down. Using a conduit of collaboration, artists such as deadmau5 (a.k.a. Joel Zimmerman) have paired up with various underground acts to further the rapid expansion of the genre.

Perhaps one of the most notable movers and shakers of the year is now-Grammy-Award-nominated producer and DJ Wolfgang Gartner, who recently sat down to chat with MTV News about deadmau5 and dance music's rise to the top.

"He has a major role in the younger generation to this music," Gartner says, "but there have been certain artists that have been instrumental in helping it cross over and reach the mainstream — which I think is a good thing. I think rap artists using dance beats is a great thing. I think it just brings more people towards this music that we all love."

Thanks to several key moments, such as deadmau5 taking the helm as house DJ (well, technically "House Artist") for the 2010 VMAs, dance music has been thrown into the forefront of America's youth, a key demographic for any genre.

"Everybody knows who he is now and he's kind of exposing the masses to dance music. These little five-, six- and seven-year-old kids latch on to this 'mau5head' logo — they get into the music and he's bringing this tiny young generation into this music that probably wouldn't be exposed to it."

Gartner certainly doesn't mind the exposure either. Unless you were living under a rock for the past six months, you probably heard one of this past summer's hottest anthems, "Animal Rights," a collaborative effort brought forth by deadmau5 and Gartner.

"It was interesting because I kind of had a preconceived notion about how he would be to work [with]," said Gartner. "I think our sounds are really similar, so I figured he would work in a similar way to me, but the way that he writes music is actually completely different to me. But he achieves kind of the same sound through a completely different process."

Recorded in deadmau5's favorite Los Angeles studio — that would be rocker Tommy Lee's House — "Animal Rights" is a thumping progressive house anthem that melds Wolfgang's unmistakable harmonics and funk riffs with the driving bass line and wobbly synths that make deadmau5 one of the unique forces in the dance music world.

"[Deadmau5] writes these rich complex chord progressions and he does it by drawing these little bars on a grid, which is just amazing that you can do that and get that result," Gartner goes on to say. "It just proves you don't have to be able to play keyboards to write amazing music."

The two sound pioneers never cease to stop pushing the limits on what they are able to produce. Using drastically difference production approaches, deadmau5 and Gartner had the ability to play off each other's strengths while recording the track.

"I'd say the biggest thing is that I play everything in on a keyboard, like even my drums," says Gartner. "I play everything in live and he draws it in with notes on a mouse, which blew me away because his music is very musical."

What do you think 2011 will hold for deadmau5 and Gartner? Let us know in the comments below!

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Lady Gaga Premieres Born This Way Short Film

Film, starring 'Zombie Boy,' features remixed song and footage from Thierry Mugler fashion show.
By Jocelyn Vena


Lady Gaga (file)
Photo: Kevork Djansezian/ Getty Images

The world may at last have a first glimpse of what Gaga has up her sleeve for Born This Way, thanks to a short film made for designer Thierry Mugler. The film, directed by fashion photographer Mariano Vivanco, is set to the remixed song that Gaga debuted at the Mugler menswear show in Paris on Wednesday.

The black-and-white video, which premiered on Stylist.com and Mugler.com on Thursday (January 20), features Canadian model Rick Genest, also known as Zombie Boy, whose body and face are tattooed to look like a skeleton. It opens with voiceover of Gaga saying, "I don't speak German, but I can if you like," as the camera focuses on Zombie Boy, rocking a studded helmet. Footage of Zombie Boy is edited together with models walking the catwalk in Mugler designs.

Zombie Boy mugs for the camera wearing a leather jacket and pearls while Gaga sings in German, "I'm absolutely clear/ As long as I'm a monster/ I wish we all could be blind/ It would be easier out there." She repeats the phrase and the beat plays low under her anthem.

There is very little pop in the dark, subversive club jam, reminiscent of a '90s club track. The vibe of the video is an extension of her equally fashionable clip for "Alejandro," which was styled by Nicola Formichetti, who happens to be the creative director of Thierry Mugler.

Zombie Boy is later seen walking in a city, wearing street clothes, as Gaga sings in English, "I'll take you out tonight/ Say whatever you like," accompanied by a pulsing beat. The video closes with a model walking down the runway as the song fades out.

Gaga remixed the song herself for the show. "I love him, my friend the genius, my collaborator, more more than any piece of clothing or closet I possess," she said of Formichetti in a statement about the show. "But don't tell him I said that, he'll die. He picked them all out."

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